1. Dance Gantar
Dance the movement of people to plant rice. Describes the wooden stick pounder while bamboo and seeds in the seed rice and describe wadahnya.
This dance is quite popular and often presented in the reception guests and events lainnya.Tari This is not only known by the Dayak tribe Tunjung but also known by the Dayak tribe Benuaq. This dance can be divided in three versions, namely dance Gantar Rayatn, Gantar Busai and Gantar oppressed / Gantar Kusak.
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2. Dance Kancet Papatai / Dance War
Dance is a hero of the Dayak Kenyah battle against their enemies. Dance movement is very sprightly, spirited, full of spirit and sometimes followed by the screaming of the dancers.
In Kancet Pepatay dance, dancers take the Dayak tribe traditional clothing factory equipped with equipment such as the war saber, shield and clothes war. Dance is accompanied by a song Sak Nail and only use the music equipment waste.
3. Dance Kancet Ledo / Dance Gong
If the dance Kancet Pepatay describe the courage of men and masculinity Dayak Kenyah, vice Dance Kancet Ledo disadvantaged describe a girl like a rice-bend contortion be blown by a gentle wind.
This be-dance by a woman with wear traditional Dayak Kenyah tribe in the and both hands holding a series of feathering tail hornbills. Usually this dance danced over a gong, so Kancet Ledo also called Dance Gong.
4. Dance welded Kancet
Dance the movement of people to plant rice. Describes the wooden stick pounder while bamboo and seeds in the seed rice and describe wadahnya.
This dance is quite popular and often presented in the reception guests and events lainnya.Tari This is not only known by the Dayak tribe Tunjung but also known by the Dayak tribe Benuaq. This dance can be divided in three versions, namely dance Gantar Rayatn, Gantar Busai and Gantar oppressed / Gantar Kusak.
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2. Dance Kancet Papatai / Dance War
Dance is a hero of the Dayak Kenyah battle against their enemies. Dance movement is very sprightly, spirited, full of spirit and sometimes followed by the screaming of the dancers.
In Kancet Pepatay dance, dancers take the Dayak tribe traditional clothing factory equipped with equipment such as the war saber, shield and clothes war. Dance is accompanied by a song Sak Nail and only use the music equipment waste.
3. Dance Kancet Ledo / Dance Gong
If the dance Kancet Pepatay describe the courage of men and masculinity Dayak Kenyah, vice Dance Kancet Ledo disadvantaged describe a girl like a rice-bend contortion be blown by a gentle wind.
This be-dance by a woman with wear traditional Dayak Kenyah tribe in the and both hands holding a series of feathering tail hornbills. Usually this dance danced over a gong, so Kancet Ledo also called Dance Gong.
4. Dance welded Kancet
Describes the daily life of hornbills, birds, which honored by the Dayak Kenyah tribe because they are considered as a sign of supremacy and heroism. Kancet dance is a dance single welded women Dayak Kenyah tribe of the same movement and its position as dance Kancet Ledo, but the dancers do not make the gong and feathering hornbills and also many of the dancers take the position and would sit or squat with knees touching the floor. Dance is more on the movement and movement of hornbills when float up and sit in a tree limb.
5.Tari Leleng Dance is about a girl named Utan Along the dikawinkan will be forced by their parents with youth that dicintainya. Stay Along eventually fled into the forest. Dancing girls Dayak Kenyah tribe ditarikan is accompanied by songs Leleng libretto.
Dance Hudoq
Dance Hudoq
6. Dance Hudoq
This dance is performed by using the wood mask that resembles a wild animal, and use the leaves of banana or coconut leaves as the body of dancers. Dance is closely related to the religious ceremonies of the Dayak ethnic group and Bahau Modang. Dance Hudoq intended to obtain the strength to overcome interference in the destroyer of plant pests and fertility expect given the harvest that much.
7. Hudoq We Dance
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Dance of the Dayak Kenyah tribe is in principle the same as the dance Hudoq from the Dayak tribe and Bahau Modang, namely, the welcome ceremony for years planting and to convey a sense of gratitude to the deity who has been giving good harvests. Differences in the anatara light Hudoq We Dance 'Dance and Hudoq on costumes, masks, tarinya movement and music accompaniment. We Hudoq Costume dancers' clothing to use arms length from the usual cloth and wear cloth glove, while topengnya shaped the face of a man many decorated with carvings typical of the Dayak Kenyah. There are two types of masks in the dance Hudoq We ', ie, made from wood and form a veil made of beads with jewelry Dayak Kenyah.
8. Dance Serumpai
Dayak tribe dances Benuaq is done to reject the outbreak of disease and treat people bitten mad dog. Serumpai called dance because dance accompanied by music equipment Serumpai (a kind of bamboo flute).
Dance purchase Bawo
Dance purchase Bawo
9. Dance purchase Bawo
Ceremony purchase Bawo aims to deny the disease, treat the sick, and vow to pay others. Once converted into a dance, dance is often presented in the events receptionist and other arts events. This dance is a dance Benuaq Dayak tribe.
10. Dance Kuyang
A dance of the purchase Benuaq Dayak tribe to evict ghost-ghost in the trees are large and high order not to disturb the people or the people who cut these trees.
11. Dance Pecuk quinine
This dance represents the movement of the Dayak Kenyah tribe who moved from the regional Babylon Kayan (Kab. Bulungan) to the local Long Fresh (Kab. West Kutai), which takes many years.
12. Dance Datun
This dance is a dance with girls Dayak Kenyah tribe with the amount not, can be 10 to 20 people. According to history, with this dance created by the head of a Dayak Kenyah tribe in the Kayan foreigner named Nyik Selung, as a sign of gratitude and elation over the birth of a grandson. Then the dance is to develop all areas of Dayak Kenyah tribe.
13. Dance Ngerangkau
Ngerangkau dance dance is customary in the case of death from the Dayak tribe and Tunjung Benuaq. This dance incorporates tools of rice pounder regularly in the horizontal position, giving rise to a certain rhythm.
14. Baraga Dancing 'Bagantar
Initially Baraga 'Bagantar ceremony is to purchase care for infants with assistance from Nayun apply Gantar. Now the ceremony has become a made dance by the Dayak tribe Benuaq.
Kutai ethnic dance arts can be divided into 2 types, namely, the People's Poetry and the Poetry Classic.
People's Poetry
It is an artistic creation arising amidst the general public. This folk dance movement combines elements of dance in the dance tribe, which inhabit the coastal region.
Including in the People's Poetry is:
1. Dance Jepen
Jepen Kutai people's art is influenced by the Malay culture and Islam. Art is very popular among people who live in coastal areas and the Mahakam river in the coastal region.
Dance away danced usually in pairs, but can also ditarikan a single. Jepen this dance accompanied by a song and music rhythm typical of Kutai called Tingkilan. The instrument consists of gambus music (guitar similar berdawai 6) and ketipung (such entertainment small).
Because of this popular art, in almost every district there are groups once Tingkilan the Jepen each has its own style, so that the dance is growing rapidly with the emergence of new creative-creations such as Furnace Jepen Dance, Dance Jepen wave, dance Jepen 29, Jepen Sidabil dance and dance Jepen strap.
Poetry Classic
Is a dance that grows and develops in the Kingdom of Kutai Kartanegara in the past.
Including the Classical Dance Arts in Kutai is:
1. Dance Presentation
This is the first dance dance woman kingdom of Kutai Kartanegara, but ultimately this can dance ditarikan anyone. Dance music that accompanied this game is special to the guests who come to visit Kutai in a formal ceremony. Dancers are not limited in number, the more dancer considered good.
Dance Ganjur
People's Poetry
It is an artistic creation arising amidst the general public. This folk dance movement combines elements of dance in the dance tribe, which inhabit the coastal region.
Including in the People's Poetry is:
1. Dance Jepen
Jepen Kutai people's art is influenced by the Malay culture and Islam. Art is very popular among people who live in coastal areas and the Mahakam river in the coastal region.
Dance away danced usually in pairs, but can also ditarikan a single. Jepen this dance accompanied by a song and music rhythm typical of Kutai called Tingkilan. The instrument consists of gambus music (guitar similar berdawai 6) and ketipung (such entertainment small).
Because of this popular art, in almost every district there are groups once Tingkilan the Jepen each has its own style, so that the dance is growing rapidly with the emergence of new creative-creations such as Furnace Jepen Dance, Dance Jepen wave, dance Jepen 29, Jepen Sidabil dance and dance Jepen strap.
Poetry Classic
Is a dance that grows and develops in the Kingdom of Kutai Kartanegara in the past.
Including the Classical Dance Arts in Kutai is:
1. Dance Presentation
This is the first dance dance woman kingdom of Kutai Kartanegara, but ultimately this can dance ditarikan anyone. Dance music that accompanied this game is special to the guests who come to visit Kutai in a formal ceremony. Dancers are not limited in number, the more dancer considered good.
Dance Ganjur
2. Dance Ganjur
Ganjur dance is a dance palace that dancer men in a pair with using tools called Ganjur (truncheon made of cloth and have to hold the rod). Dance is accompanied by gamelan music and ditarikan the king penobatan ceremony, wedding party, reception guests kingdom, birthplace and family khitanan kingdom. Dance get this much influence from elements of Javanese dance movement (style Yogya and Solo).
3. Dance Kanjar
This dance is not much different from the dance Ganjur, only this dancer dances by men and women and the movement a little more skittish. Composition tariannya little more freely and not too tight with a pattern, so that this dance can reconcile such as dance association. Kanjar interest in dance is usually preceded by the Presentation dance, because dance is also to respect and guests including as a dance association.
4. Dance Topeng Kutai
Dance is the beginning of origin have a relationship with the art of dance in the Kingdom of Siyabuswa and Kediri, but the movement of dance and rhythm game that follows a little different with that found in the Kingdom of Siyabuswa and Kediri. While the story is the dance in this not so many differences, and also with costumes penarinya.
Dance Topeng Kutai divided into several types as follows:
01. Penembe3. Dance Kanjar
This dance is not much different from the dance Ganjur, only this dancer dances by men and women and the movement a little more skittish. Composition tariannya little more freely and not too tight with a pattern, so that this dance can reconcile such as dance association. Kanjar interest in dance is usually preceded by the Presentation dance, because dance is also to respect and guests including as a dance association.
4. Dance Topeng Kutai
Dance is the beginning of origin have a relationship with the art of dance in the Kingdom of Siyabuswa and Kediri, but the movement of dance and rhythm game that follows a little different with that found in the Kingdom of Siyabuswa and Kediri. While the story is the dance in this not so many differences, and also with costumes penarinya.
Dance Topeng Kutai divided into several types as follows:
02. Kemindhu
03. Governor
04. Temenggung
05. Science
06. Wirun
07. Gunung Sari
08. Pennant
09. Rangga
10. Togoq
11. Bota
12. Pudgy
Dance Topeng Kutai only presented to the kingdom alone, as family entertainment with dancers, dancers certain. Dance is also usually offered in the event of king, marriage, birth and welcome guests kingdom.
5. Dewa dance Memanah
This dance performed by the head Ponggawa practice with a bow and arrow in the five. Ponggawa corral where the ceremony was held while arrows swing upwards and downwards, accompanied by (read mantras), which evacuated to request the god of gods to expel evil spirits, and ask for peace, prosperity, welfare for the people.
5. Dewa dance Memanah
This dance performed by the head Ponggawa practice with a bow and arrow in the five. Ponggawa corral where the ceremony was held while arrows swing upwards and downwards, accompanied by (read mantras), which evacuated to request the god of gods to expel evil spirits, and ask for peace, prosperity, welfare for the people.
